My
interest in skylighting as an architectural art form began with the simple observation
that in naturally lit interiors, dappled light was inherently more interesting than full
sun or full shade.Dappled light mimics the
effect of sunlight falling through a tree or forest canopy.
I set about to
explore various ways to simulate this "dappled light" effect and to apply this
knowledge to skylighting in general. By etching the glass with palm leaf patterns, a
graceful fall of light and shadow would display on the walls and throughout the spaces
below.
Designing
skylights naturally led to the skylights being designed as works of art in and of
themselves.
The multifaceted
series involved the extravagant use of exotic woods for the frames combined with etched or
beveled glass. The opening frames, which dress out the area between the roof and the
ceiling, were an integral part of the overall design.
The "Prism
Skylights" brought the excitement of pure, spectral light into
the equation. I figured out a way of creating huge architectural scale prisms, that I
combined into the skylights that cast wondrous displays of pure spectral color on the
walls and interior below.
For several
years, these early experiments in "Exotic Skylights" were featured at the Laguna Beach Festival of Arts in California. In
this annual, juried show, about a million people walked through my display providing
valuable feedback and many commissions. |